The waveforms, algorithms and envelopes in FMMF are all shown graphically,
with the envelopes allowing dragging of nodes and clicking to change contour.
Special attention has been paid to the envelopes to allow you to customise them
in many ways, such as the number of stages, the contour of each stage, sustain
and repeat points and tempo-sync. There are envelopes for the volume of each
operator, the pitch, and the effects section (filter, distortion and delay) all
with velocity and key tracking. Further modulation comes in the form of LFO’s
for the pitch and effects section, with many LFO waveforms available, including
my favourite, randomising.
For further sound design potential you have a low pass filter, a multi-mode
distortion and a flexible delay (with comb delay option). An arpeggiator let’s
you add even more movement to create rhythmic sequences.
Features:
• 4 Operator FM Synthesis instrument with 17 FM algorithms
• 11 different waveforms per operator, with note sync option
• 7 Multi-segment Envelopes (up to 32 stages) for amp, pitch and effects
modulation
• 3 LFO’s for pitch and effects modulation
• All envelopes can be free or tempo-sync, each stage can have it’s own contour
• Envelopes can have user defined sustain and repeat points with flexible
locking and zeroing options
• LFO’s can be free or tempo sync, with 20 waveforms and phase & note sync
options
• Each LFO has it’s own ADSR envelope
• Arpeggiator with 6 modes and adjustable tempo-sync, note length and octave
range
• Resonant low pass filter with key and velocity tracking, can be modulated by
envelopes or LFOs
• Distortion effect with 18 flavours, can be modulated by envelopes or LFOs
• Delay with comb delay option, size, feedback and damping, modulated by
envelope or LFO
• Harmonics can be adjusted from 1 to 256, with limit on frequency beyond
Nyquist
• Polyphony adjustable from 1 to 16 voices
• Portamento time
• 64 presets by brian botkiller covering many styles