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Built around an entirely new opto-electric style compression unit, NastyVCS offers everything you need to shape your channels dynamics and tone. It offers a dedicated input stage featuring crunchy pre-amp saturation and a brickwall safety limiter in the output stage. Everything is set up to work in zero latency and so be available for hassle free tracking and mixing.
Two dedicated filters can be used in either the audio path or in the compressor’s sidechain which can be external as well. Whether pre or post compression, the equalizer section offers four interacting coloring tools with well-selected musical sounding curves. The concept gets rounded off by a phase alignment tool which can be used for coloring purposes as well.
Tips & tricks
- NastyVCS really shines when all the three dynamic tools are properly combined. Condense the dynamics in some small amounts right in the input stage, apply some smooth compression without affecting the punch/transients and then let the limiter eat some peaks at the output
- NastyVCS contains a phase alignment tool which can be used for coloring purposes as well – use that in combination with the input stage or the compressor or both
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